COMMUNITY

Since 2011, Bitamine faktoria has worked in a network, cooperating and collaborating with artists, cultural agents and institutions with the aim of promoting programs and projects. A diverse community with a shared passion.

ARKEOLAN

In addition to its contribution to the recognition of urban and professional archaeology, Arkeolan stands out for its studies of ancient mining and Roman testimonies, medieval and post-medieval iron and steel, archaeological topography in medieval villages, pastoral occupations, as well as urban fortifications and mountain fortresses. Among its objectives, it also prioritises the development of cultural facilities aimed at socialising the discoveries made in the course of its archaeological research and the dissemination of the information obtained, through publications, courses, conferences, audiovisuals, etc. For all these types of activities, the Arkeolan Foundation has a specialised and qualified multidisciplinary professional team. https://www.arkeolan.com

ASPOROTSTTIPI

This former farmhouse houses an interpretation centre that will help you to appreciate all the riches and special features of the Domaine d'Abbadia and the Corniche Basque. The Domaine d'Abbadia's coastal rangers and the CPIE Littoral Basque's project managers will provide you with all the information you need to discover this protected natural site (map, documentation, programme of school events, guided tours, etc.). FREE ADMISSION The main room is dedicated to showcasing the various points of interest on the site. Sound effects, educational animated films, projections and quizzes on touch screens allow young and old alike to discover the geological, fauna and flora riches of the site, as well as past and present human activities. Upstairs, two rooms house the temporary exhibitions, which are accompanied by a rich programme of activities specially devised by the CPIE Littoral Basque (tours, lectures, screenings, etc.). https://asporotsttipi.cpie-littoral-basque.eu/

AZALA

Azala is a two-headed project that combines a cultural project and a rural accommodation project. At the origin of its definition, a creation space. Located in a geobotanical enclave of Mediterranean oak forests and wheat fields, Azala is both a space for artistic practice and cultural creation, as well as a space for group stays that require time and space in contact with nature, the sky, the air, the land, the fields, the forest... Likewise, it is an ideal place to stay for the traveler who wants to get to know the territory. Azala is in Lasierra, a small town in Álava, Ribera Alta, Añana district. It has 12 inhabitants, who among other things form an Energy Community. It is a land of wheat and pinto beans, also of potatoes and beets. Located at 649 meters high, you can see the Sierra de Tuyo to the northwest, San Formerio to the south and the Sierra de Cantabria behind. When there is a south wind, you can hear Miranda de Ebro and otherwise it is close to everything, Gasteiz, Bilbao, Donostia, La Rioja, Valderejo, Salinas de Añana... Azala means skin in Basque, a permeable membrane that allows the body to keep its structures intact while communicating with the environment. Azala also means surface in Basque, which refers to the extent of a territory. https://www.azala.eus/

Aranzadi zientzia elkartea

The Aranzadi Science Society is a non-profit scientific association whose objectives are scientific research into the natural and human environment and the dissemination of the results obtained. It was founded in 1947. https://www.aranzadi.eus/

BIDASOA BIZIRIK

Bidasoa activa is a public company aimed at supporting and promoting the local economy and generating employment. We develop programmes and activities that are fundamentally aimed at two types of clients in the Bidasoa-Txingudi region: -Companies or sectorial groupings in the Bidasoa-Txingudi region. -Job seekers, either as employees or as promoters of new companies. https://www.bidasoa-activa.com/es/

BIENALSUR

An expansive proposal for contemporary art, culture and reflection. From the south of the world we make BIENALSUR, organised by the Universidad Nacional de Tres de Febrero (UNTREF), a public university in Argentina, the Foro del Sur Foundation and a network of public and private institutions in more than 80 cities in 30 countries. It is a different kind of biennial: decentralised, democratic, horizontal and humanistic, embracing the issues of today's world. From its Km 0 at MUNTREF (Museums of the Universidad Nacional de Tres de Febrero) Hotel de Inmigrantes venue in the City of Buenos Aires, to Tokyo, BIENALSUR maps out a new cartography for contemporary art that spans 18,370 kilometres, simultaneously connecting art spaces, creators, audiences and communities from all continents. As of 2015, a series of Global South meetings were held that gave rise to a dynamic project rooted in dialogues, exchanges and presentations making up a diverse and sustained public programme. BIENALSUR was subsequently built on this foundation. The first edition of BIENALSUR was held in 2017, featuring the participation of more than 400 artists across approximately 80 venues in 34 cities spanning 16 countries. In 2019, the map extended its reach, encompassing 112 venues in 47 cities in 21 countries. Despite the challenges posed by the pandemic in 2021, the biennial took place in 120 venues across 48 cities in 24 countries of the Americas, Asia and Europe. Over 1800 artists from all over the world participated throughout the first three editions. In 2023 the fourth edition of BIENALSUR took place in more than 70 cities in 28 countries on 5 continents. With the participation of more than 700 artists and 64 curators. https://bienalsur.org/

BORDERLINE FABRIKA

Borderline Fabrika is both a cultural space open to all and a place dedicated to the professional support of resident artists (performing and visual arts). They benefit from a space dedicated to research, creation, production and cultural diffusion, a place of exchange, open to the public. This third place aims to consolidate the activities and economy of resident creators by promoting creation, openness and multilingualism. https://borderlinefabrika.weebly.com/

CAPACETE

Created in 1998 in the city of Rio de Janeiro, Capacete aims to promote intercultural exchange for a better understanding of the actual globalized world. The residency program is open to all disciplines and aims to be cross-sectorial in order to act as a social and cultural platform in the Brazilian landscape. https://capacete.org/

CASA PLANAS

Founded in 2015 by artist Marina Planas, Casa Planas is a collective, non-profit making organisation responding to the pressing need for an interdisciplinary centre dedicated to contemporary creation and the interpretation of tourism in the Balearic Islands. https://casaplanas.org/en/casa-planas/

CENTRO CULTURAL DE LA COOPERACION

The “Floreal Gorini” Cultural Center for Cooperation is an Argentine cultural center created by the Mobilizing Institute of Cooperative Funds that acts as a space to facilitate the development of a critical intellectuality, affirmed in the principles and values of cooperation. https://www.centrocultural.coop/

CENTRO CULTURAL RICARDO ROJAS

The Rector Ricardo Rojas Cultural Center is a cultural center located at Avenida Corrientes 2038, city of Buenos Aires. It is attached to the University of Buenos Aires through the Secretariat of Institutional Relations, Culture and Communication. https://www.rojas.uba.ar/

CENTRO CULTURAL SAN MARTÍN

In its more than 50 years of history, El Cultural San Martín stands as an innovative, broad, diverse and inclusive institution. With a strong pluralistic and multicultural mystique, it has the support of the Ministry of Culture in all its activities, to achieve content of excellence. This is a space where the most heterogeneous experiences in theater, dance, music, cinema, literature and digital culture flourish. Also, El Cultural San Martín was the site where the computing center operated during the return to democracy and was the home of Conadep. The Cultural San Martín is a place where thoughts and ideas can meet, because it is essential to put them into value and discussion to reflect on what we can contribute from culture to improve our quality of life, strengthen respect, emotions and thinking. critical. https://elculturalsanmartin.ar/

CRISTINA ENEA FUNDAZIOA

The Cristina Enea Foundation is a project that aspires to integrate emerging values that already mark future trends in public management, such as those associated with sustainability in the new context of the Knowledge Society. Its mission is to provide a new strategic vision of the city, in the current context of transition from the industrial society to the new knowledge society. https://www.cristinaenea.eus/es/inicio

Centro Huarte – Uharte Zentroa

Since the beginning of 2022, the Huarte Contemporary Art Centre Foundation, with its board of trustees at the head, has carried out a process of internal reflection after which it has drawn up a document of lines and objectives that has served as a guide for the drafting of the new management project. Both documents reflect the impulse that between 2016 and 2022 has transformed the Huarte Centre into a space dedicated to artistic production and a place of resources for the contemporary art community in Navarre, and based on this same document the new management project proposes pruning and shaping the programme, as if it were a plant, to guarantee healthy and sustainable growth. This plant, with its rhizomatic stem, has grown over the last six years, characterised by its horizontality and by having generated a great explosion of activity. Now, therefore, it is a question of cutting some stems so that others can grow stronger, taking care of the people and the processes and relationships they have in the Centre. In short, the aim is to consolidate, consolidate and consolidate all those lines of programming aimed at strengthening and attending to the artistic community. With this context that has been generated, in which the horizontal, relational and community aspects are at the centre and cross all the areas of work, it is possible to cover more and more segments of the value chain and guarantee a greater route and development of the projects and processes that take place at the Huarte Centre. To this end, a special effort will be made in artistic mediation and education, methodologies that will allow these processes to be socialised and shared with other agents and communities that complement them and vice versa, in a back and forth flow of knowledge and favouring learning processes that build a more critical citizenship. https://www.centrohuarte.es/

Centro Municipal de Arte Hélio Oiticica

Public institution dedicated to the promotion of contemporary art, member of the Municipal Secretary of Culture of the city of Rio de Janeiro. The current management has the objective of making peripheral artists visible to the history of art, as well as democratizing access to the public. Their actions are developed from two lines: CMAHO research projects and occupation notices. Both generate a diverse program of exhibitions, cinema, shows, courses, workshops, lectures and seminars, as well as publications of the Agaó publishing line. The collection consists of two installations of Richard Serra (the artist's only permanent work in Latin America, produced at the Rio Rounds exhibition in 1997), documentation on the institution's history, and 2,000 books and publications on contemporary art. Inaugurated in 1996, it was reference until 2009 to house works by Hélio Oiticica (1937 - 1980) in agreement with the HO Project, besides exposing important national and foreign artists of contemporary art as Mira Schendel, Iole de Freitas, Sônia Andrade, Lygia Pape, Antonio Manuel, Daniel Buren, Luciano Fabro, Tehching Tsieh, among others. https://www.cmaho.com/

1
2
3
4
5